
Heey guys once again I’m doing another review and this time, I’d like to present to you my 2nd Album Review of Sponge Cola with their latest, Araw. Oras. Tagpuan.
SC has been around for quite some time now and people learned to embrace their humble beginnings from Palabas, until they went semi-mainstream on Transit and finally trying out something new from their self-titled Album Sponge Cola (which I did a review back in Friendster Blogs which, err, unfortunately has been removed now). Will Araw. Oras. Tagpuan. live up to the expectations of their fans? Or will they target a new fanbase in the market?
This review will cover the songs of Araw. Oras. Tagpuan by track. And starting from one of their carrier singles, we have:
1. Tambay - Remember 22, Bitiw and ayt?? I don’t know if SC fans notice this but usually, their first song starts off as a “kicker” and is usually one of the most lively songs in the album. I found this quite amusing to see how consistent they can be. Although, based from their previous music, Tambay doesn’t really divert into a different genre and still delivers that same energetic starter as they always did.
2. Stargazer - This song is definitely a product of Yael Yuzon’s songwriting. It is very similar with Gemini and is just as moving. This is, by far, my favorite track from the album. It’s chock-full of emotions and the band did a very good job in doing this track. Honestly, this song is the one that convinced me to buy their album, so I guess their strategy worked ;)
3. Regal - This is a sweet song with a profound set of lyrics. Again, Sponge Cola delivers their familiar sound with a different twist in Tedmark Cruz’s drum lines.
4. OK Dito - Uh, I don’t mean to sound mean but this track doesn’t appeal a lot to me. This is full of experimental sounds such as sounds of sea waves and human beat boxing. I even kinda imagine this song being a little psychedelic, but no. It’s not.
My biggest concern, though, would be the use of Filipino-English or TAGLISH lines in the whole track. This is not the first time they did this (Keep The Fire Burning’s end lines contained Tagalog lyrics) but I really hoped this would be the last. Honestly speaking, OK Dito is not as okay as it implies. Although this is a brave attempt in experimenting, we will still see more risk-filled experiments SC did in this album.
5. She Weeps - An acoustic that almost got me to sleep the first time I heard it. And again, this song contains TAGLISH lines which does not go well with the music. It’s not as appealing as it seems and I wouldn’t mind skipping this track if I didn’t feel like listening to sleepy music. Sorry but the TAGLISH just doesn’t work that well. Nice try though.
6. Kay Tagal Kitang Hinintay - One of the sweetest songs in the album. I kinda noticed something about the album per se but that’s for discussion later. This track made me realize that their songwriting is still good both in Filipino and in English (separately, not together!). This is another carrier-single and is worth the exposure.
7. She Wants You To - This track has honest emotions that makes me want to sing in public. The lyrics and melody go together perfectly and if anyone could relate to the message of this song, you would surely feel the emotion it portrays. It’s just that powerful. I can’t even forget the one line that goes, “Why do we stay for those who’d rather go?” Listen to this and tell me how captivated you are.
8. Walang Wakas - Remember their song Puso? This song brings the same energy and good message that SC fans would surely enjoy. I don’t know how SC manages to write sensible songs such as this but no matter how they do it, I salute their good songwriting. This song inspires me throughout the day. Gets me up and running! :)
9. New Steel (feat. Pao Valenciano, Ria Redulla, and Los Magno) - This is a collab track, featuring a lot of guys. Another energetic song that’s more “Gary V.” than “Sponge Cola”. And I’m not sure if I heard Tagalog lyrics here (they didn’t include lyrics in the cards that come with the CD). But then, this song is more like a so-so to me rather than something different.
10. Warning: (feat. Norma Love, Iwa Motors, and Mowmow) - As most of you guys who have complete sets of SC’s albums, one song will always be sang by the drummer. In the case of the first three albums, Chris Cantada sang Jillian, Myself In you and In Another Life respectively. This time, their new drummer Tedmark Cruz sang Warning:. And what I found very intriguing and interesting in this track is that this brought back the sound of the late 80’s OPM. It’s refreshing, something new (epxerimentally) and a bit risky for the group (especially to those who aren’t fans of the VST and Company or Rico J. Puno genre). I personally liked it and found myself enjoying this song with a cup of coffee and a smile.
Oh and this song has a bit of TAGLISH lyrics but I didn’t mind it because I was too busy enjoying it. Risky, but I liked it. Mr. Tedmark Cruz, my hats off to you sir! :)
11. Scenic View - Again, Sponge Cola from a different angle. This track deviated from their usual sound and is more aggressive with a bit subtlety. I personally like this song too and inspires me a lot. I find myself singing to this song after I listened to it about four times. This is one of my favorites. :)
12. Araw Oras Tagpuan - Their title track! (and reasons why it deserves to be) Who wouldn’t love this song? They should release this as their single. It uses a similar “clanging” sound from Jeepney. The lyrics bring forth the message of the album, which I believe I deciphered and will discuss after this track. This is a sweet song with meaningful lyrics that many would surely relate to. I know, I did. :)
They have a bonus track titled “Easy As Pie” but I wouldn’t recommend listening to that because it’s mostly chatter. The song itself is good but I would prefer the chatter to be cut off. I mean, after listening to the preceding track, you wouldn’t really be in the mood to listen to a recorded conversation with Armo doing a girly voice impression.
CONCLUSION:
Sponge Cola took a few bold moves in introducing experiments to their music. From their past albums, we can see how much they changed, while still remaining to the sound that’s been familiar to us. Their songwriting is still inexplicably good, producing sensible songs with powerful meanings sang by a powerful voice and performed by a well-talented band. You’d be sure to have your P300 well-spent on this album.
On and the message that I deciphered? From the way I see how the songs are arranged, I hypothesize that this album talks about relationships that ended but were able to reconcile. I theorize that Araw. Oras. Tagpuan. actually means that two persons who have been together but got separated, who knew and loved each other almost entirely, would someday be back together. The possibility of them reconciling is so high because they already know when and where to meet (literally and figuratively). It’s so wonderful to grasp a message like this from their album and I must say that their songs were effective in delivering this message to their listeners. The tracks Kay Tagal Kitang Hinintay, Araw Oras Tagpuan and Stargazer strongly emphasized this point.
Overall, I give Sponge Cola’s Araw. Oras. Tagpuan a score of 4 out of 5! Nice job SC!
[[]]Photo originally from me.[[]]
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